Rendered over eleven weeks in the New Delhi studio, this Tanjore panel follows the classical Thanjavur canon — a raised gesso relief built layer by layer, then leafed in genuine 24ct gold and set with semi-precious stones.
The figure of Krishna stands in tribhanga, the triple-bend posture that gives South Indian devotional painting its unmistakable poise. Vermilion and emerald pigments are hand-ground and bound in the traditional manner so the surface deepens rather than fades with age.